When we rely on the power and efficiency of the industrial machines, we must endure varying degrees of noise generated by them, and the sound of the air circulation system installed to protect the practitioners. Initially, we attempted to explore the sound when applying different machines and technologies, to investigate the correlation between the sounds produced during the production process and the background music used in guided meditation. We consider recording a series of sound collections and videos to document our states and reflections during the production process. We also tried to learn techniques for editing sound to explore the possibility of changing the nature of noise. However, later on, we realised that we could adopt a more impactful approach, encouraging practitioners to contemplate the significance that their practice brings to them in the course of their individual project creations.
This interdisciplinary project has provided me with valuable insights and experiences. It not only allowed me to meet students from other disciplines and understand their different design perspectives but also encouraged me to critically examine the significance of my individual projects. The term 'craftsmanship spirit' may seem like a hauntingly serious term, but I firmly believe that it exists not only in the past but also in the hearts of every practitioner who approaches the making process with meticulous responsibility. Those who are dedicated to their craft are more likely to respect nature and materials, have a unique understanding of different tools, and derive genuine happiness from the act of creation. In other words, the experience of people possessing a craftsmanship spirit during the process of making is not much different from that of individuals in meditation: they are both fully immersed, focused, and entirely engaged in a state of heightened mental presence with the activity itself. Under appropriate conditions, this state of flow can transform into a euphoric trance-like state. Selecting a significant topic is crucial for both artists and designers, but enjoying the practice process is much more important. Throughout my product design studies, I discovered that the only way to break free from the labyrinth of overthinking was to start getting my hands dirty. To some extent, even rudimentary models may contribute to the project.