My approach to research and design has been influenced by extensive global travel, which has broadened my perspective and exposed me to diverse cultures, landscapes and socio-political realities. These experiences ignited my interest in political ecology and the urgent need for regenerative strategies to address environmental degradation and social injustices. As I grew up in a rural area of the South of England, I have instilled in me a deep appreciation for nature and the interconnectedness of human and environmental systems, which is intrinsic to my design process and outlook.
In my studies in Architecture and Fine Art, I delved into the intersection of built environments and cultural narratives, exploring how design can shape collective identities and foster resilience in the face of ecological crises. I have been heavily inspired by my travels in Southeast Asia and Europe, and alongside this, my long-term interest in Japanese design, philosophy and literature has informed my work as a designer. My work is therefore mainly inspired by the principles of simplicity, the beauty of the mundane, harmony, and sustainability. Additionally, ecofeminism and existentialist literature have informed my understanding of human-environment relationships and the imperative of embracing stewardship of the planet.
The primary media I engage with includes drawing, painting, film production, research, mixed media, graphic design and writing. My work is currently focused on the creation of socio-political and cultural frameworks through engaging with research and film. My project explores the impacts of ecocide in Ukraine as a result of the Russo-Ukrainian War, with an emphasis on fostering resilience, reclaiming national identity, and confronting the climate emergency. I am analysing how speculative and existing responses to ecocide can be effectively integrated into spatial frameworks to prevent further environmental destruction in Ukraine and encourage long-term environmental stewardship.
