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Projects

The Nuances of Communal Eating

An artistic exploration into the relationship between loneliness and communal eating through relational aesthetics.
Caring SocietySocial CareWellbeingFood

Our project examines the relationship between social eating and loneliness.

Due to the well-established research and theory of this subject area, we were interested in examining the aspects of this relationship that are less prevalent. As opposed to the actual act of eating and the comfort that can be felt from it, our project aimed to reflect upon the nuances that can be drawn from the experience of communal eating and how they can imagery and aesthetics can convey the same level of meaning and emotion.

The project explores how a sense of comfort, connection and nostalgia can be evoked by objects and materials that are associated with social eating through relational aesthetics, as opposed to the actual act of eating. The work attempts to alter people’s perception of these objects by changing their materiality. Through this process, it transfigures their appearance from being something that was previously insignificant, into a kind of artefact with a more inherent value and importance.

The nonchalant event of eating and socialising every day means that we can often overlook this shared experience and the vast number of health benefits that it can bring us, both mentally, physically and socially. The underlying concept of these works is for them to act as a kind of visual metaphor for looking at social eating with a heightened sense of gratification and value, not as something meaningless or disposable.

Alex Helfgott

I prefer eating when I'm with you

Performance and video

3:09:00

‘I prefer eating when I’m with you’ displays a recording of a performance whereby ten strangers are asked to take part in a communal lunch, whilst each being tied to the other by their wrists. This piece aims to bring people closer by physically joining the participants together and therefore prompting them to communicate and develop their to be able to eat.

I like being a spoon

I like being a spoon

Sculpture

Porcelain ceramic and UV print

Inspired by artists such as Katerina Kamprani, whose work focuses on creating useless objects,  this work is a playful exploration of traditional utensils.  The work started by casting found cutlery in plaster. Pushing the clay into moulds, and creating individual clay utensils that were then combined to make a nonsensical object which no longer had use as a spoon. To push the nonsense further, images of spoons have been printed back on the ceramic to re-identify the object in its original form. The work plays with the connection between image and object. Is an object still an object if it is no longer functional? Is it still a spoon?

Teapot

Teapot

Sculpture

Clay

This piece of work draws upon the communal act of eating and uses the teapot as a vessel for conveying the significance of social interaction. Using an absurd and humorous approach, the work amends the common design of a teapot by possessing five handles -propositioning the dysfunctional and playful requirement for multiple people to take part in the act of pouring tea.

Bread
Bread

Bread

Sculpture

Resin

This piece of work displays a series of translucent resin sculptures made from the silicone casting of a slice of bread. The use of a halved slice of bread in this scenario refers to the common role of bread being used during communal eating practices in which a whole loaf is either sliced or torn into smaller parts and shared amongst the participating party. Using something as every day as the form of bread to convey meaning and emotion might seem counterintuitive; however, the aim is to change the value and significance of this object by altering its material whilst sustaining its recognisable qualities.

The use of the translucent resin draws upon imagery within nature, such as ice, water or refractions of light that express temporary states of awe or beauty and, therefore, give the object an ethereal and ephemeral quality. By attaching this aesthetic meaning to the subject of bread, it encourages the audience to look upon the object with greater significance as if it possesses greater value, as opposed to being something which is merely commonplace and disposable.

Cutlery Portraits
Cutlery Portraits
Cutlery Portraits

Cutlery Portraits

Installation

Wire and print

With different cutlery found at flea markets, we invite people to reflect on the inherent connections that unite us around the dining table. While traditionally, the act of purchasing a cutlery set symbolizes the intention to dine together, the installation challenges this notion by showcasing the beauty and harmony found in the mismatched and varied utensils. Each piece of cutlery carries its unique history and story like we bring our distinct backgrounds and experiences to the communal act of eating together.